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Pricing Handmade Work Without Underselling Yourself

A straightforward formula for pricing crafts, plus the mental blocks that keep makers charging too little and how to get past them.

By Nermeen Zayed · · 2 min read


Almost every maker I have spoken to prices their work too low. Not by a little. Often by half. The reasons are rarely about maths. They are about not wanting to seem greedy, not believing the work is worth it, and comparing to mass-produced goods that were never the competition. Let's fix the maths first and then talk about the rest.

The formula

Materials plus labour plus overhead equals cost. Cost times two equals wholesale. Wholesale times two equals retail. That is the traditional model and it works because each doubling pays for something real. The first covers your profit and the risk of unsold stock. The second covers the cost of selling, whether that is a shop's margin or your own time photographing, listing, packing, and answering messages.

Labour is where people cheat. Pick an hourly rate you would accept from an employer and use it honestly. If a hand-painted house takes three hours, that is three hours. Not one, because you enjoyed it.

Overhead is real even at the kitchen table

Tools wear out. Packaging costs money. The platform takes a fee. Electricity, software, the ruined batch. Add up a month of these and divide by the number of pieces you make in a month. That number, added to every piece, is your overhead. It is usually larger than makers expect.

When the number looks too high

Run the formula and the retail price of a small handmade item is often three or four times what a similar factory item sells for. That feels wrong until you remember that the factory item is not the comparison. Your buyer is choosing between your piece and no piece, or your piece and another maker's piece. Price against those.

If the number is still genuinely more than the market will bear, the answer is not to cut the price. It is to change the product. Make it faster, make it from cheaper materials, make it in a batch, or make something else. Selling at a loss is a hobby with extra steps.

Raising prices on existing work

Do it all at once, not in small steps, and do not apologise. Existing customers who valued the work will keep buying. The ones who leave were buying the price, not the work, and they would have left eventually anyway. In my experience, a price rise is almost always followed by the same number of sales at higher income, and occasionally by more, because a higher price reads as higher quality.